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¿Os imagináis que la portada de El Jueves que retiraron, parece ser que censurada para que no se vea, apareciera por todas partes y en vez de conseguir “callarla” la viera todo el mundo?
¿Os imagináis que la compartimos por todas las redes sociales y acaba llegando hasta a los que no leen la revista?
Sería irónico ¿verdad?

Pero vamos, SI LA CASA REAL NO QUIERE QUE SE VEA ESTA PORTADA y El Jueves se baja los pantalones, nosotros no somos nadie para difundirla, no somos tan cabroncetes.

Never forget


¡Hola, mundo! ¡Ya estamos aquí!

Tras muchos meses hablándolo y planeándolo, por fin podemos presentar el Fanzine ¡Hey!, un nuevo fanzine de cómic que hemos creado Leyre Lardiés (Remeriel) y Diego C. (DCP) con un objetivo principal: Dar a conocer la obra de autores u autoras que sean jóvenes o principiantes o desconocidos.

En vistas a lanzar el primer número este mes, muy pronto daremos más información sobre el fanzine, incluyendo los autores participantes, la fecha de lanzamiento concreta, los lugares donde comprarlo y las presentaciones que haremos (incluyendo una muy, muy cercana). Mientras tanto, aquí van los dibujos que ha hecho DCP para la contraportada y la portada, respectivamente, de este primer número:


I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>



I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.

Ink Pen

Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.

Round Brush

The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.

Flat Brush

A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.


Best used for smooth blending, washes, gradients, and smoky atmospheric effects.


Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.


To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!

Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!

Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.

Hope that helps!













You remember that post about the homestuck t-shirt design contest collaborating with hot topic? And how Hot Topic are the biggest art thieves?  This is recent.  As you can see above, I stumbled upon Hot Topic’s website and they are selling a very popular fan art put on a t-shirt, and did not ask permission from the original artist (rismo).

This shows Hot Topic still continues their art thievery.  Hot Topic are still taking art from artists without their permission.  This is disrespectful and appalling.




woah oops deleting my deviantart account

*instantly puts logo on my best pictures*

6. Payment Unless otherwise agreed between Artist and deviantART in a writing from deviantART, the license granted to deviantART under this Agreement is royalty-free.

DeviantArt you literal piece of shit

Uh what

That’s not okay

yo okay this is REALLY FUCKING IMPORTANT and imma be deleting my DA very soon because of it.

Apparently, deleting isn’t an option.


I’m so done with Hot Topic and DeviantArt. DeviantArt is one of the most horrible, toxic places I’ve ever been a part of online. And Hot Topic just gets worse and worse with each passing month. They’re a horrible company with over-priced shoddily made merchandise. Signal Boosting this, everyone needs to give up on DeviantArt.

Uh wow canceling my subscription like right now and deleting fucking everything….

Bienvenidos a 1812: La aventura


Bienvenidos a 1812: La aventura

Bienvenidos a 1812: La aventura, un blog centrado en el seguimiento del desarrollo del videojuego con el mismo nombre. Mi intención con ello es, acercarme un poco más al mundo profesional, pues mi pasión es la de desarrollar videojuegos y mi sueño el dedicarme profesionalmente al diseño de videojuegos.

El videojuego del que relataré mis aventuras y desventuras, tal y cómo sugiere su nombre, es…

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